productions Per Figura Sola concept and choreography Paola Bianchi on stage Valentina Buldrini sound concept Fabio Barovero lighting design Paolo Pollo Rodighiero press and organization Francesca Divano production Agar in coproduction with Marco Bianchi, Campo Campi, Luciano Nicolini, Benito Bianchi, Piero Bona, Giancarlo Giorgi, Riccardo Nicchi, Zutart, Città di Ebla, Laura Gobbi, KosmosTheater, Veglie in volo finalist to the Prize Equilibrio Roma Our company is looking for producers in order to achieve the new project Per Figura Sola. Information At the moment we achieved 6' 30" of the project. We would like to thank all the people who supported us. Here below the list of our donors: Marco Bianchi Campo Campi Zutart Piero Bona Benito Bianchi Luciano Nicolini Giancarlo Giorgi Laura Gobbi Kosmostheater Riccardo Nicchi Città di Ebla Veglie in volo PER FIGURA SOLA is the conclusive and more “theatrical” step of the project Come Conigli started during the spring of 2007. Come Conigli is based on Fibonacci series (1 1 2 3 5 8 13 21 34 55 89 144 233 377 610 987 1597 2584 4181 6765…) and the golden section. From this project many different public Irrational visions came up. Each vision has a specific concept and life in itself. I’ll be using them as materials and images to be transformed during the creation of the new performance PER FIGURA SOLA. They will be like notes performed on stage instead of written notes on my notebook.     PER FIGURA SOLA’S ROUTE stations of the route   there is an unarmed, ready, disposable, open being equilibrium/fall   there is the desire, the attempt to be “other”, “different” a study about the manipulated body   there is the state of being “inside” there is the acceptance of the rules there is the internal chaos in the external order movements scanned by Fibonacci series (1 1 2 3 5 8 13 21 34 55….). dynamic symmetry principle - impossibility to stay, nowadays. the human being, the measure of everything, the symbol of which was explicated in Leonardo da Vinci’s Uomo Vitruviano, lost his sense of being. the harmonic equilibrium is vanished. aesthetic delirium control   there is the difficulty in staying order/chaos there’s the impossibility of staying symmetry/fugue from symmetry   there is the exposition of the inside, in a rigorous and accurate outside precise destruction organic flatting   there is a series of already decided, already planned attempts surveillance devastated body   there is no fatalism, there is a plan, a design, a route, an obliged trajectory a sense of constant NAUSEA, a clear perception about our STAYING, HERE, NOW I cannot modify the trajectory, but the inside of the square it is the game of goose there is a layout   there is no closing of the circle there is no exit there is no story     Description of the project The action takes places in an empty space (theatre or not) on the floor a layout, signs delimiting the space of the action, indicating the direction. an obliged, decided route. on the stage one single dancer. her action consists in running along the route through body transformations.   light designing is fundamental because of the completely absence of scenography.   sound and music will be specially composed for the performance creating the substance, the thickness of the air, the consistence of the place, the colour of the space.   there won’t be exit. nothing will happen outside the stage. changes of costumes will be done on stage, becoming a part of the performance.    Media: Photo (1,3 MB) Photo (1,2 MB) Photo (892 KB) Photo (874 KB) Photo (846 KB) Photo (267 KB) Photo (912 KB) Photo (915 KB) Photo (1 MB)